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Top Lucio Fontana Secrets
Inadequacy
Concepts such as art and life have to be mixed with one another because there is no point in not separating the work of humans and human being itself. The art of life is a form (creative energy - sexual), who said that? That is why the most intriguing art is the one is about life, which unravels different experiences, recounts details, curiosities, points of view.
When it comes to the world, it is imperative to reject the idea of a perfection to be achieved (in in order to be able to meet such expectations the only form of art we can refer to is film). Error is the hallmark of being Human The stumbling block upon which we've been at one point or another: the faulty judgement, haste, fear and anger, the constant search for security and control bad choices. Don't tell me you have not made any of these mistakes?
Open: new perspective to view the world from
If we fall, we injure ourselves more or less intensely and tend to look at the fall as a mistake, or to make the error as a result of the expectations we have of ourselves and others. The wound is the actual point that we are able to see the truth, from which we are no longer in the false notion of perfection (which should be the case if it shouldn't be hurting) and examine what is broken. We look at it and look at ourselves.
Fontana cut her hair with the consciousness the possibility of opening up, breaking or and tearing since destruction is often the strongest creative act, all the more so in a culture in which, even from a young age, we are immersed in a powerful, imprinted model of belief and values. It's not a coincidence that Fontana said in 1963 in the course of an interview Nerio Minuzzo:
"The critiques always criticized me, but I never thought about it. I went ahead anyway and I didn't take any kind of salute. Over the years, I was called "the one who has holes', with a bit of pity. However, today I can see that my cuts and holes have been a hit, are accepted and even have practical uses. In bars and theatres they create ceilings using holes. Since, today that even people on the street understand the new designs. The artists are the ones, unfortunately, who understand little '.
When Fontana speaks of street people, he invokes the idea of imperfection in which the form of the hole is like any other in which the becoming of life is manifested. He is not afraid of dirt nor of the violent nature of creative expression He throws tar onto a plaster sculpture of a man , and names the piece 'Black Man'.
A few years later, the cut transforms into the conquer of space, in the form of an overthrow of painting and sculpture, through a new spatiality that contains them both: the break with verticality, http://b3.zcubes.com/v.aspx?mid=10148978 in favor of an open passageway.
This palpitation, inhaling and exhaling from the canvas can be seen from afar in a more intellectual and bourgeois sense of the work Gina Pane would later do on her skin. The gesture is nevertheless the eternal main character in this context, where art is destined to be destroyed; the cuts and wounds are the path, boundary and exchange. The artist herself opens the canvas by splitting it in two and declares its finiteness; the holes are transformed into black holes that provide the illusion of depth and reveal the infinite , which we'll never be able to comprehend.
Wait: we are discovering new things that we don't yet know
Fontana called the cuts "Waits," the gaps from which new and different things arise that we don't know.
When we commit a mistake, when we end up hurting or causing harm to someone else, we have a waiting period before we react. The first reaction is the shock of the error and the failure to overcome, after that, deciding on the steps to take to make up for it or get away with it; then we wait for the consequences of that fracture, that mistake, which could turn out to be a innovative and valuable resource. Or not.
A few people have understood (and do not comprehend) this concept because they constantly judge what reality and the human condition ought to be, and how they should be compared to the two-dimensional nature on the wall. We keep fighting every inch of our being the right methods, the correct method of presenting and being in the world, so so that we resort to rules that eventually define normativity.
It's impossible to find anything more confusing. We are convinced that we know everything, we apply our yardstick to every other organism and ecosystem in the world However, we view it from a narrow , biased point of view which has nothing to do with reality. Anthropocentrism as well as personal interpretations of other theories that are almost never the most accurate.
Accept that there is no absolute perfection.
This is also true for this society that wants us to be better at all costs, without reflecting on the fact that perhaps, rather than raising standards, we should learn to be more accepting of the world in the present. Do we accept pain? Do we accept death? Do we accept body parts? Do we accept diversity? And, most importantly, once we accept, do we respect our differences?
In most cases, we resort to invisibilising those things that don't fit with the 'perfection' of our little world or the universe. We are feel angry, shocked, and disgusted to be swept away, ignored, or put under the rug and then we show the very imperfection that we actually are, but refuse to accept.
Understanding one's own limitations is crucial and so is understanding the interconnectedness of everything in the world system. Either we are ALL put in a position to do our best, or there's no incentive or competition worth the effort to be put into it, unless for the motive of increasing inequalities. It's all very well and great that some people after much effort have made it, just like those who have been so fortunate. However, in a larger context, always stretching the boundaries just a bit further it's a perfect' in an impermanent situation; not a "perfection" in an absolute sense.
Could this ever exist?
Cut Let the truth come out
We can conclude that Fontana tried, because from the very beginning Fontana rejected the simple paths of success, preferring to experiment with the unknown and the uncertain, that is to say: abandoning the idea of being the only one and following the research path that led him to uncover certain facts.
For me, and my personal perspective, Fontana is the one who cuts the curtain and lets light shine through, even if the black sails are obscured behind the cuts. A spatial artist in the same way as one of the pioneers of the art that is understood not just as a piece of work, but also as a gesture a gesture, around and as a consequence of action on the space, as the activation of a narrative, of which much is practiced in the present.
For me, his cuts reveal all of this, opening up new perspectives on art, new points of view on the world , and new questions. The wound for this, is more than just pain: the wound reveals mortality, brevity, uncertainty and fragility. A wound can make us think, makes us question, and this practice is very important to ensure that we remain grounded. As difficult as it is to be a victim and as difficult as it would be in a perfect narrative of existence it would be wonderful (and right) to learn by positive reinforcements. So long we as a species are unable to avoid each other's suffering as much as our own, we're condemned to the unresolved and to live in an insanity.
So let's enjoy the cinema and its happy endings its perfection so taken for granted and which we mistakenly end up taking as a model of life as the visual arts contrary to what they appear are the children of pain, and every artist, in order to speak the truth, had to go through the pain.
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